Olgo Kharitonova & Igor Machlak Piano Duo

BEAUTIES AND BEASTS - Piano Four Hands
Ravel - Stravinsky - Schubert - Brahms

Maurice Ravel (1875-1937) - Mother Goose Suite
01: Pavane de la belle au bois dormant Sample
02: Petit Poucet Sample
03: Laideronnette, impératrice des pagodes >Free
04: Les entretiens de la belle et de la bête Sample
05: Le jardin féerique Sample
Igor Stravinksy (1882-1971)
06: The Rite of Spring, Part 1
Sample 1 - Sample 2 - Sample 3 - Sample 4
Franz Schubert (1797-1828)
07: Waltzes Op. 18a
Sample 1 - Sample 2 - Sample-3
Johannes Brahms (1833-1897)
08: Hungarian Dance No. 6 in D-flat major Sample
09: Hungarian Dance No. 7 in A major Sample
10: Hungarian Dance No. 8 in A minor Sample
11: Hungarian Dance No. 9 in E minor Sample
12: Hungarian Dance No. 5 in F-sharp minor Sample
13: Hungarian Dance No. 1 in G minor Sample
Kharitonova & Machlak piano four hands


Video: Hungarian Dance No.1

The performers

Since moving to Australia in 1995, Russian born Igor Machlak and Olga Kharitonova have continued to develop their careers as performers and teachers, specializing in piano duets and repertoire for two pianos. They have made recent appearances with the Melbourne Chamber Orchestra and at the 2010 Adelaide Festival.

The duo's busy performance schedule has taken them to China and Southern Eastern Asia as well as return trips to Russia. Currently they lecture at the University of Melbourne's Faculty of Music.

"Maurice Ravel's Mother Goose Suite and Rite of Spring by Igor Stravinsky were composed in almost the same year, but there is no doubt as to who is 'The Beauty' and who is 'The Beast'. The evocative and quintessential Ravelian set of five pieces, based on Charles Perrault's fairy tales, transcend you to a beautiful and comforting heaven. Even the Beast in it is quite adorable!

The Russian genius Stravinsky, on the other hand, wanted to "send them all to hell". He conveyed the brutality and sheer madness of hell by using dissonance for its own sake. The Rite of Spring caused a riot at its Paris premiere in 1913, and announced a new era in music and art.

Composed effortlessly and, no doubt, 'on the go', the Schubert Waltzes always managed to fascinate the next generations of composers, such as Liszt and Prokofiev. They even tried to re-​arrange the waltzes, looking for a greater effect, but in their original state their simplicity and purity are most enjoyable. These pieces compete perfectly for the 'Beauty' title.

It was while touring with Hungarian violinist Eduard Remenyi that Brahms heard many original Hungarian and Gypsy folk tunes. He most probably felt like he had stumbled across a golden nugget. The result, in 1869, was a collection of Hungarian Dances for piano duet which brought Brahms huge success and tons of money! All but one of the dances borrowed material and their passionate and free-​spirited nature is a startling contrast to the fragility and intimacy of Schubert's waltzes."

- Igor Machlak

Read more about the Olga & Igor Piano Duo.

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